Good photos are the difference between a build we can feature and one we can’t. You don’t need a fancy camera. A phone, the right light and six shots will do it.

Blue and white square-body Chevy dually photographed from the front three-quarter angle, at headlight height
The shot that sells it: front three-quarter, wheels turned, camera at headlight height.

The six shots we need

Every build feature starts with the same six photos. Get these and you’ve covered everything a reader wants to see.

1. Front three-quarter

This is the hero shot, and it’s usually the one we use at the top of your feature. Stand off one front corner so you see the whole nose and the full side of the vehicle. Turn the front wheels slightly so the face of the wheel points toward the camera, not the tire tread. Crouch down so the phone sits at about headlight height. Shooting from eye level makes trucks look short and squat.

2. Side profile

Stand square to the side, far enough back that the whole vehicle fits with a little room at each end. This is the shot that shows off stance, wheelbase and how low (or high) it sits, so keep the phone level and at the height of the door handles.

3. Rear three-quarter

The same idea as the front shot, from a back corner. It shows the bed or trunk, the taillights and the rear stance.

4. Engine bay

Pop the hood and shoot straight down from the front, then one from an angle. Wipe off dust and move rags and tools out of the way first. If it’s dark under the hood, shoot in open shade instead of turning on the flash, which makes chrome and paint glare.

5. Interior and dash

Open the driver’s door and shoot across the seat toward the dash, then one through the back window or from the passenger side. Clear out water bottles, receipts and phone mounts. Gauges, seats and the steering wheel tell a big part of the story.

6. Wheels and details

Get close on a front wheel, then shoot anything you’re proud of: badges, pinstriping, a custom part, the bed floor, the suspension. Details are where readers spend time.

Light makes the photo

The best light is in the hour after sunrise or before sunset. It’s soft, warm and kind to paint. A bright overcast day is the next best thing, because the clouds act like a giant softbox and you get no harsh shadows.

Try to avoid midday sun. It throws hard shadows under the body, blows out chrome and makes dark paint look flat. If midday is your only option, park in open shade, like the shadow side of a building, with nothing overhead.

Keep the sun behind you or off to one side. Shooting toward the sun washes everything out.

Pick a clean background

The vehicle should be the only thing in the photo. Look for:

Watch out for other cars, trash cans, power lines and people in the frame. Check what’s growing out of the roof line before you shoot. A pole or tree right behind the cab is easy to miss and hard to unsee.

Phone camera tips

Before you shoot

Sending your photos

Send the original photo files, not screenshots or photos sent through a messaging app, which shrink them. The form takes up to 12 photos, 15 MB each, in JPG or PNG. Lead with your best front three-quarter shot, because the first photo is the one we look at first.

Only send photos you took, or that you have permission to share. We credit the owner on every feature.

Quick checklist

Submit your build